He imagines himself in the future telling the story of his life and claiming that his decision to take the road "less traveled by," the road few other people have taken, "has made all the difference. In this stanza, the tone clearly shifts.
This poem does not advise. He wants to travel both, and is "sorry" he cannot, but this is physically impossible. External factors therefore make up his mind for him.
Any person who has made a decisive choice will agree that it is human nature to contemplate the "What if What he suggests, here, though, appears to contradict what he has said earlier. Two roads diverged in a wood, and I— I took the one less traveled by, And that has made all the difference.
One of the attractions of the poem is its archetypal dilemma, one that we instantly recognize because each of us encounters it innumerable times, both literally and figuratively.
Which road to take? The rhyme scheme is ABAAB; the rhymes are strict and masculine, with the notable exception of the last line we do not usually stress the -ence of difference. Yet he knows it is unlikely that he will have the opportunity to do so.
All the speaker knows is that he prefers the road less travelled, perhaps because he enjoys solitude and believes that to be important. But who knows what the future holds down the road? The traveler must go one way, or the other.
In this line Frost introduces the elements of his primary metaphor, the diverging roads. As for color, Frost describes the forest as a "yellow wood. The poet is the first to encounter this dilemma.
This pondering about the different life one may have lived had they done something differently is central to "The Road Not Taken. Two roads diverged in a yellow wood And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth; 5 Then took the other, as just as fair And having perhaps the better claim, Because it was grassy and wanted wear; Though as for that, the passing there Had worn them really about the same, 10 And both that morning equally lay In leaves no step had trodden black.
The speaker imagines himself in the future, discussing his life. Next, the poem seems more concerned with the question of how the concrete present yellow woods, grassy roads covered in fallen leaves will look from a future vantage point.
At the moment of decision-making, both roads present themselves equally, thus the choice of which to go down is, essentially, a toss up—a game of chance.
Yet, as if to confuse the reader, Frost writes in the final stanza: The first road is described as bending into the undergrowth.
On reflection, however, taking the road "because it was grassy and wanted wear" has made all the difference, all the difference in the world. Viewing a choice as a fork in a path, it becomes clear that we must choose one direction or another, but not both. Was the choice of the road less travelled a positive one?
The situation is clear enough - take one path or the other, black or white - go ahead, do it."The Road Not Taken" by Robert Frost is one of the most famous, but misunderstood poems in American culture because the simple language he uses opens the doors to superficial interpretation rather than a deeper metaphorical understanding.
The Road Not Taken - Two roads diverged in a yellow wood. Two roads diverged in a yellow wood. Two roads diverged in a yellow wood close fullscreen. Jump to navigation Robert Frost was an author of searching and often dark meditations on universal themes and a quintessentially modern poet in his adherence to language as it is actually.
A summary of “The Road Not Taken” in Robert Frost's Frost’s Early Poems. Learn exactly what happened in this chapter, scene, or section of Frost’s Early Poems and what it means.
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Poetry Explication of “The Road Not Taken” In “The Road Not Taken,” by Robert Frost, he depicts a person that comes to a decision that they had made in their past.
They have a couple of choices, hence the two roads that were depicted in the poem. Introduction "The Road Not Taken," first published in Mountain Interval inis one of Frost's most well-known poems, and its concluding three lines may be his most famous. “The Road Not Taken” is one of Robert Frost’s most familiar and most popular poems.
It is made up of four stanzas of five lines each, and.Download