Julian Johnson Music and the Aesthetics of Modernity: Like most books derived from conference papers, this one contains a diverse and uneven mix of elements which, in the end, is probably less than the sum of its parts.
You are not currently authenticated. I can see that the conceptualization of space and its representation is a fascinating and central element in the construction of social modernity, but this is not treated here.
The editors, presumably in an attempt to draw the various contributions into some semblance of structure, have divided the book into four parts implying a chronological sequence: Other chapters also omit to underline how the particularities of their topics might relate to either music or modernity.
For that reason I think the title is misleading; a cultural historian, for example, reading this book to discover the role played by music in the modern period, would be disappointed. Harvard University Press, Cambridge, Mass.
The same might be said of Peter J. I think this is an example of why conference proceedings do not make successful books—no matter how experienced and eminent the contributors and the editors.
This would have been a better book if papers had been rewritten to acknowledge the larger frame and to relate more deliberately to the central and recurrent questions of music and modernity.
There are some excellent contributions from some excellent contributors, but there are also too many chapters that simply bear no direct or even indirect relevance to music.
In lieu of an abstract, here is a brief excerpt of the content: View freely available titles: This is disappointing, because in spite of the high quality of some of its chapters, as a whole the book fails to address the central issues of the idea of modernity from the eighteenth to the twentieth centuries.
Beyond Modernity or beyond Modernism? There seem to be lots of ways in which that might have been done; the discussion of how the idea of truth is mediated by its different modes of expression surely relates to plenty of musical topics, but why is the reader left to do the work of drawing out such connections?
Where it does, it appears to be by happy accident rather than careful design. At a pinch, I can see that this might be related to the musical representation of space during the same period—but I am now developing an idea that this chapter declines [End Page ] to do. I was excited by the tone of the Preface, which distinguishes between the relatively short twentieth-century phenomenon of musical modernism and the larger history of musical modernity, and encouraged by its insistence that this book would address the latter, but despite some excellent individual examples which I have reviewed below too often the book as a whole does not live up to its task.
Hoffman in Kater Murr. Aspects of Modernism; IV. The individual chapters themselves, however, are too diverse and often too focused on specific details to live up to the tasks implied by such headings.
It would probably have been as well to commission some new pieces too, to fill some of the gaps.HARVARD PUBLICATIONS IN MUSIC Harvard Publications in Music 21 Isham Library Papers 6 Music and the Aesthetics of Modernity Essays.
Music and the Aesthetics of Modernity: Essays (Harvard Publications in Music) [Karol Berger, Anthony Newcomb] on billsimas.com *FREE* shipping on qualifying offers.
For most music historians, the modernism of the twentieth century was until recently the only appearance of the modern in music. Music and the Aesthetics of Modernity - Essays by Karol Berger,available at Book Depository with free delivery worldwide.
Music and the Aesthetics of Modernity: Essays (Isham Library Papers/Harvard Publications in Music) by Editor-Karol Berger; Editor-Anthony Newcomb. Harvard University Department of Music, Hardcover. Good. Note: Citations are based on reference standards.
However, formatting rules can vary widely between applications and fields of interest or study. The specific requirements or preferences of your reviewing publisher, classroom teacher, institution or organization should be applied. Aesthetics and Modernity brings together Agnes Heller's most recent essays around the topics of aesthetic genres such as painting, music, literature and comedy, aesthetic reception, and embodiment.
The essays draw on Heller's deep appreciation of aesthetics in all its forms from the classical to the Renaissance and the contemporary periods.Download